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Microphones
Klark Teknik DN200 Stereo DIOverviewDN200 is intended for professional applications where +48 V phantom power is a standard feature on all mixing consoles, and its innovative design results in a significantly higher clipping point than many other active DI Boxes, providing +10 dBu output into a 2 k Ohm load. This increased headroom means that much higher level input signals can be accommodated without the need for an attenuating pad. Combined with a very low noise input circuit topology, DN200 offers a very wide dynamic range and only requires a single -20 dB pad, which is optimised for use with electronic musical instrumentsFeatures
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Sennheiser e906OverviewThe e 906 captures the guitar sound just as you want it to be: from clean to distorted, from gentle to aggressive. It provides a high-resolution, natural sound without unwanted coloration. The transient response of the e 906 convinces in every style: it even transmits riffs with an extremely hard punch directly and straightforward. The microphone features a switchable presence filter with three sound characteristic options: one to boost the presence range, one for "normal" presence and one to attenuate the presence range. Thanks to its flat shape, it can be positioned in front of the amp hanging from its cable – completely without a stand. Not to mention its distinctly rugged design.Features
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Sennheiser EW300 G3 ME4 Lapel Wireless System OverviewDiscrete and easy on the voice: the compact cardioid clip-on microphone in this system rejects noises coming from the side which means less risk of feedback. Without having to speak very loudly, the presenter's voice is delivered in a rich and full manner. The bodypack transmitter features charging contacts for the optional rechargeable battery. Sync up the bodypack to the receiver wirelessly with the new wireless sync. Lastly, the true diversity receiver provides for reliable signal transmission, even in large rooms. Features
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Sennheiser EW300 G3 ME3 Headset Wireless System OverviewExpress yourself hands free: cover the whole stage and focus on your performance rather than on holding your microphone. The included cardioid condenser headset microphone is easy to wear, has great pop protection and produces powerful sound. Also included in this system is a stage-tested true diversity receiver and a bodypack transmitter with charging contacts for the optional BA2015 rechargeable battery. Features
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Sennheiser EW300 835 Handheld Mic System OverviewThe best that the G3 300 series has to offer for the voice: top-notch condenser technology coupled with a true diversity receiver. This system captures every last nuance and detail of the vocalist. A programmable mute button on the microphone lets the user decide when it is time to go "on-air." Features
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Beyerdynamic ST 600 3/8" Round Base Mic Stand OverviewMicrophone stand with heavy base plate, 3/8" thread Features
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Beyerdynamic GST 590 3/8" Short Boom Stand OverviewShort microphone stand (34-60 cm) with telescopic boom (42-72 cm), 3/8" thread, black Half-height microphone stand with telescopic boom. Features
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Beyerdynamic GST 500 5/8" Tall boom stand OverviewTall microphone stand with telescopic boom, 5/8" thread, black Microphone stand (90-165 cm) with telescopic boom (42-72 cm), 5/8" thread, black Solid and rugged microphone stand with a compact die-cast zinc base. Wide footrest provides more stability and reliability. Features
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LD Systems Active DI OverviewActive DI box in sturdy metal housing (aluminium/steel) with corner protectors, silver-blue/ metallic, internal 9 V battery (indicator blinks during operation) which is automatically switched off when phantom power is used (LED indicator is on continuously).Extremely low battery usage. Battery: 9 V block (not included). Features
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BSS AR-133 Active Di OverviewThe unit includes phantom power and battery supplies as standard. Should the phantom power from the console fail or be accidentally switched off, the AR-133 automatically switches over to the internal 9V battery providing uninterrupted use. The unit is housed in a rugged aluminium extrusion case, with robust polyurethane end-cheeks which give the AR-133 a very distinctive look. Input connectors are both 1/4" jack sockets and an XLR socket, the latter meaning that the AR-133 can be used to convert unbalanced signals to a balanced output on XLRs throughout. The arched case allows cables to run back underneath the unit from the end for neat cable management. Input attenuation is 0, -20 or -40dB, making the box suitable for instrument, line or amplifier levels on inputs. On the output side, a ground-lift switch is provided for quick solutions to ground-loop problems. The AR-133 uses an enhanced version of the same audio path as the AR-116, now regarded by many people as a reference standard. Features
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Rode NT5 OverviewThe Rode NT5 is a cardioid condenser microphone offering a full frequency response and low-noise circuitry. Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 0.5 inch capsule, an active J-FET impedance converter with bipolar output buffer. Finished in durable satin nickel, the NT5 is intended for either single or stereo X/Y mic set-ups. The NT5 is supplied with an RM5 (stand mount). Features
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AKG C1000s OverviewFor vocal and instrumental recording, on stage, in ENG/EFP and video production. The updated version of the C1000 S multipurpose small-diaphragm condenser microphone is extremely popular for its versatility. It is suitable for recording and live-sound applications as well as for ENG/EFP and video productions. Its gold sputtered capsule housing makes the microphone extremely rugged against humidity. Features
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Sennheiser e935 OverviewIts balanced frequency range qualifies the e 935 for songs of every genre. It clearly gives the voice more space and positions it cleanly in front of loud instruments. With a transparent high-end and warm but well defined lower mids, it lends even gentle voices an impressive intensity and size. The vocal track in the band mix can be emphasized much more easily. The e 935 also clearly increases the speech intelligibility. It remains extremely resistant to feedback as well as to the hard conditions of live gigs. Features
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Sennheiser e609 OverviewThe super-cardioid e 609 silver instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source. Features
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Sennheiser e604 OverviewCharacter instead of mainstream. Close to the attack, tough, easy to handle: the e 604 has long since been a classic on the rims of tom-toms and snares the world over. Thanks to the practical clip-on holder, the microphone can be mounted in seconds and positioned however you choose. Features
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Sennheiser e904 OverviewThe cardioid e 904 is a dynamic instrument microphone specifically designed for drum applications. Featuring a very short body with integrated stand mount and a universal rim clip, the e 904 provides great sound without getting in the way in even the most crowded setups. Features
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AKG C451B OverviewResponding to growing demand, AKG decided to make the C 451 B with the same acoustic performance as the popular original C 451 EB + CK 1, with dramatically improved specifications. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. Other features include an all-metal body for excellent protection from RF interference and high reliability for excellent results under almost all conditions. The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, instruments with a percussive sound, acoustic guitar, or for overhead miking. Features
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Shure SM81 OverviewThe SM81 is the perfect choice for a professional musician or sound engineer who is looking to mic up acoustic instruments such as acoustic guitar, piano and cymbals. It can ideally be used on stage and because of its high quality is also at home in the recording studio. The SM81 has a flat response curve for accurate reproduction of the sound source and can also be modified via a bass roll off switch. Features
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Shure Beta 87a OverviewThe Shure Beta 87A is a premium quality supercardioid hand-held condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level capability. It is ideal for a professional lead or backing vocalist either on stage, for live recording or in the studio. The Beta 87A features a controlled low-frequency roll-off that compensates for proximity effect and prevents the “boomy” sound often associated with close pick-up. The tailored frequency responce with its presence rise , brightens the upper midrange and helps the vocals cut through the mix. The tight supercardioid pattern provides maximum isolation from other vocalists or instruments while offering minimal off-axis coloration. It operates on phantom power. Features
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Shure Beta 52AOverviewIts ideal for the professional musician looking to mic up their kick drum, bass amp and acoustic bass. It has the quality and durability to be used on stage and in the studio. The supercardioid pickup pattern limits interference from other on-stage sound sources and reduces feedback. The frequency response is perfectly tailored for bass instruments with a 20Hz to 10kHz frequency response with a presence boost at 4kHz to let electric basses and kick drums cut through the mix. Features
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Shure Beta 91A OverviewThe Beta 91A is optimised for kick drums, as well as traditional low end applications including piano. It uses a half-cardioid condenser boundary microphone with an integrated XLR preamplifier that is tailored for a strong low-end response. It has a two-position contour switch for optimised sound signature depending on application. Features
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Shure Beta 57 OverviewIt’s a premium instrument mic ideally suited for the professional musician looking to mic up many types of amplified and acoustic instruments such as guitar amps, acoustic guitar, saxophone, snare drum and brass. It can also be used by vocal artists. The Beta 57A has the quality and ruggedness to be used both on stage and in the studio. It has a tailored frequency response provides warmth and presence and maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off–axis tone coloration. The hardened steel mesh grille facilitates use of proximity effect as well as resisting wear and abuse. Features
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Shure SM57 OverviewShure SM 57LC, ideal dynamic mic for snare, toms, electric guitar and many more applications, definitely an all-rounder thomann with a good frequency response for clean instrumental recording. The cardioid pickup pattern isolates the main sound source while reducing background noise. Frequency-Response: 40 Hz - 15 kHz, Output Impedance: 310 Ohms. Features
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Shure Beta 58A OverviewThe Beta 58A is a premium vocal mic ideally suited for professional lead and backup vocals, either on stage or in the studio. Both are designed for vocal use and have a bright midrange and bass roll-off. The Beta 58A has increased sensitivity and high-end frequency response, which results in a cleaner more detailed sound. It also features a supercardioid polar pattern compared to the SM58’s cardioid, giving it greater unwanted sound rejection and more resistance to feedback. Features
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Shure SM58 OverviewShure SM58 LC cardioid dynamic vocal microphone, frequency response 50 - 15.000 Hz, 300 Ohms, isolated Hand Grip for Low background Noise/Rumbles, The most widely used vocal microphone with the reliability and quality from Shure. Features
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Sennheiser EW300 G3 4Way Radio Rack OverviewThis system includes 4 x Sennheiser EW300 G3 receivers, rackmounted in a high quality black 6U flightcase together with 1 x Sennheiser ASA1 active antenna splitter. An integrated Sennheiser NT1-1-UK power supply provides DC power for all receivers and is connected via a Powercon socket on the rear panel. The custom connection panel also includes 2 x RF inputs, 2 x loop through RF outputs, 4 x XLR audio outputs. A blanking panel is used to fully enclose the rear of the rack to protect the internal connections. Also supplied with this system are 2 x Sennheiser A1031-U External Antennas, 2 x 5M BNC Aerial Cables, 1 x Powercon Mains Cable and 1 x 4-Way 3M Neutrik XLR Audio Loom. The systems are provided fully assembled, patched and tested. Transmitters and receivers are pre-programmed and labelled. Features
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Sennheiser EW300 G3 8Way Radio Rack OverviewThe Sennheiser EW300 G3 wireless radio mic system has been designed for professional stage use. This 8-way rack is neatly installed into a single 8U flightcase containing eight complete Sennheiser EW300 G3 radio mic systems, including receivers and antenna/power distribution system (for true diversity). A separate flightcase contains the transmitters (beltpack and handheld) along with the lapel microphones and fitting accessories. Each transmitter is supplied with one set of new Procell AA 1.5V batteries for your performance / event. Features
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